Active Filters:
Play Time: 1:30 - 2:10
Unique Durations: 6-7
Clear All Filters

Tags

Renaissance
Pavane. The Earle of Salisbury
Bartók forever
1:45 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Virginal Treble 14 3 3 8 97%
Treble 14 2 3 17 97%
Bass 18 7 2 6 89%
Bass 18 7 2 7 89%
 
Anthony Holborne - The night watch, for recorder and guitar
Daniel Rubin
1:36 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 23 34 6 7 100%
Recorder Treble 12 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 23 34 6 7 100%
Recorder Treble 12 0 2 5 100%
 
Galliard 10, Francis Cutting
PreludeAndFugue
1:30 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 11 6 7 99%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 25 11 6 7 99%
 
La Feliciana | A. Banchieri
Die Viole
1:55 Est. Play
Time
72 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor (Tenor) Treble 12 0 2 6 100%
Violone (Bassus) Bass 12 0 3 5 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor (Tenor) Treble 12 0 2 6 100%
Violone (Bassus) Bass 12 0 3 5 99%
Soprano (Cantus) Treble 14 0 4 4 96%
Alto (Altus) 10 0 1 6 93%
 
Ballet
Bartók forever
1:41 Est. Play
Time
19 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 20 14 7 7 100%
Bass 19 1 5 5 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Treble 20 14 7 7 100%
Bass 19 1 5 5 96%
 
Anonymous - My Lady Carey's Dompe
Paraskeνas
2:02 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 10 1 6 100%
Bass 5 1 0 3 50%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 17 10 1 6 100%
Bass 5 1 0 3 50%
 
Almaine 16, Francis Cutting
PreludeAndFugue
1:52 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 30 6 6 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 30 6 6 97%
 
Josquin des Prez: Fortuna d'un gran tempo plus Spinacino
H. Gürtler
1:43 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 45 6 6 100%
Alto Treble 11 0 3 6 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 25 45 6 6 100%
Alto Treble 11 0 3 6 92%
Tenor Treble 13 0 1 6 88%
Bass Bass 12 0 3 7 77%
 
O beata Maria (P. Guerrero)
rinirini
1:38 Est. Play
Time
49 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 9 0 0 6 100%
Alto Treble 12 0 1 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 9 0 0 6 100%
Alto Treble 12 0 1 6 98%
Tenor Treble 9 0 0 6 92%
Bass Bass 9 0 0 6 90%
 
Claude Sermisy - Tant Que Vivray, for voice and guitar
Daniel Rubin
1:36 Est. Play
Time
22 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 17 36 1 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Classical
Guitar		 Treble 17 36 1 6 100%
 
Heinrich Isaac: Benedictus plus Spinacino
H. Gürtler
1:54 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 21 68 4 5 100%
Bass Bass 12 0 2 6 98%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Guitar Treble 21 68 4 5 100%
Bass Bass 12 0 2 6 98%
Tenor Treble 12 0 3 6 89%
Alto Treble 13 0 2 6 86%
 
Galliard 3, Francis Cutting
PreludeAndFugue
1:50 Est. Play
Time
64 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 17 3 6 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 22 17 3 6 96%